Second season of Søren Sveistrup’s crime thriller ’The Chestnut Man’ is at least as dark as the first — and just as successful. But unsettling.
Med ’Kastanjemanden’ fik vi regulær neglebidskrævende uhygge, et virkelig godt plot og en autentisk skurk. Mange kan den dag i dag ikke se en barnligt konstrueret kastanjefigur uden at sikre sig, at hoveddøren er låst.
Nu er toeren her så.
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